Everything about Erich Von Stroheim totally explained
Erich von Stroheim (
September 22,
1885 –
May 12,
1957) was an
Austrian star of the silent film age, lauded for his directorial work in which he was a proto-auteur. As an actor, he's noted for his arrogant
Teutonic character parts which led him to be described as "not a character actor, but what a character!". Playing villainous
hun roles during the Great War, he became known as "The Man You Love to Hate".
Background
Stroheim's most recent biographers such as Richard Koszarski say that he was born in
Vienna,
Austria in 1885 as
Erich Oswald Stroheim, the son of Benno Stroheim, a middle-class hat-maker, and Johanna Bondy, both of whom were practicing
Jews.
Stroheim himself claimed to be Count Erich Oswald Hans Carl Maria von Stroheim und Nordenwall, the son of
Austrian nobility like the characters he played in his films, but both
Billy Wilder and Stroheim's agent
Paul Kohner claimed that he spoke with a decidedly lower-class Austrian accent. However
Jean Renoir writes in his memoirs: “Stroheim spoke hardly any German. He had to study his lines like a schoolboy learning a foreign language.” Later, while living in Europe, Stroheim claimed in published remarks to have "forgotten" his native tongue.
Stroheim was a great fantasist and his authorized biography contains many factual errors.
Film career
By 1914 he was working in Hollywood. He began working in movies in bit-parts and as a consultant on German culture and fashion. His first film, in 1915, was
The Country Boy in which he was uncredited. His first credited role came in
Old Heidelberg.
He began working with
D. W. Griffith, taking uncredited roles in
Intolerance. Later, he played the sneering German in such films as
Sylvia of the Secret Service and
The Hun Within. In
The Heart of Humanity, he tore the buttons from a nurse's uniform with his teeth, and when disturbed by a crying baby, threw it out a window.
Following the end of the
First World War, Stroheim turned to writing and then directed his own script for
Blind Husbands in 1919. He also starred in the film. As a director, Stroheim was known to be dictatorial and demanding, often antagonizing his actors. He is considered one of the greatest directors of the silent era, representing on film his by turns cynical and romantic views of human nature.
His next directorial efforts were the lost film
The Devil's Passkey (1919) and
Foolish Wives (1922), in which he also starred. The studio publicity for the Foolish Wives claimed that it was the first film to cost one million dollars.
In 1923, Stroheim began work on his next film
Merry-Go-Round. He cast the American actor
Norman Kerry in a part written for himself 'Count Franz Maximilian Von Hohenegg' and newcomer
Mary Philbin in the lead actress role. However studio executive
Irving Thalberg fired Von Stroheim during filming and replaced him with director
Rupert Julian.
Probably Stroheim's most famous work as a director is
Greed, a detailed filming of the novel
McTeague by
Frank Norris. Stroheim filmed and originally edited a nine-hour version of the story, shot mostly at the locations described in the book in San Francisco and Death Valley. After his attempts to cut it to less than three hours were rejected by the studio, MGM cut the film to a little over two hours, and, in what is considered one of the greatest losses in cinema history, destroyed the excess footage. The shortened release version was a box-office failure, and was angrily disowned by Stroheim. The film was partially reconstructed in 1999, using the existing footage mixed with surviving still photographs, but Greed has passed into cinema lore as a lost masterpiece.
Stroheim's next films were the commercial project
The Merry Widow (his most commercially successful film) and the more personal
The Wedding March and the now-lost
The Honeymoon.
Stroheim's unwillingness or inability to modify his artistic principles for the commercial cinema, his extreme attention to detail and the resulting costs of his films led to fights with the studios, and as time went on he received fewer directing opportunities.
In 1929 Stroheim was dismissed as the director of the film
Queen Kelly after disagreements with star
Gloria Swanson and producer and financier
Joseph P. Kennedy over the mounting costs of the film and the introduction by Stroheim of indecent subject matter into the film's scenario.
After
Queen Kelly and
Walking Down Broadway, a project from which Stroheim was also dismissed, Stroheim became principally an actor, working in both the United States and France. He is perhaps best known as an actor for his role as von Rauffenstein in
Jean Renoir's
La Grande Illusion and as Max von Mayerling in
Billy Wilder's
Sunset Boulevard. For the latter film, which co-starred Gloria Swanson, Stroheim was nominated for the
Academy Award for Best Supporting Actor. Excerpts from
Queen Kelly were used in the film. The Mayerling character states that he used to be one of the three great directors of the silent era, along with
D.W. Griffith and
Cecil B. DeMille; many film critics agree that Stroheim was indeed one of the great early directors.
In the 1932 movie
The Lost Squadron he parodied his image when he starred as a detail-obsessed German film director who tells soldier extras, that when they're "dead" they're to stay dead!
In 1935, Stroheim's only novel to be published in English
Paprika was published by Macaulay.
Paprika is the sensationalized story of the life and death of a
gypsy femme fatale.
In 1939 Stroheim was working on a project in which he was to direct a film in France called "La Dame Blanche" which was to star
Louis Jouvet and
Jean-Louis Barrault. The production of the film, however, was interrupted by the war and the film was never made.
Stroheim was married several times, the last time shortly before his death, to actress
Denise Vernac, who had been his longtime secretary and companion, and who starred with him in several films.
Stroheim spent the last part of his life in France where his silent film work was much admired by artists in the French film industry. In France he acted in films, wrote several novels that were published in French, and worked on various unrealized film projects. He was awarded the
French Légion d'honneur shortly before his death in 1957 in Maurepas, France at the age of 71.
Filmography (as director)
Quotes
"Lubitsch shows you first the king on the throne, then as he's in the bedroom. I show you the king in the bedroom so you'll know just what he's when you see him on his throne."
"If you live in France, for instance, and you've written one good book, or painted one good picture, or directed one outstanding film fifty years ago and nothing else since, you're still recognized and honored accordingly. People take their hats off to you and call you "maitre". They don't forget. In Hollywood --in Hollywood, you're as good as your last picture. If you didn't have one in production within the last three months, you're forgotten, no matter what you've achieved ere this."
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